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Theater

  • ‘The Invisible Hand’ Theater Review: It’s ‘Margin Call’ Set Inside a Pakistani Bunker

    Ayad Akhtar creates suspense, not from an impending beheading but from what a prisoner teaches his captor about the stock market

    By

    Robert Hofler
    December 8, 2014 @ 5:00 PM
    5:00 PM
    ‘The Invisible Hand’ Theater Review: It’s ‘Margin Call’ Set Inside a Pakistani Bunker
  • Bradley Cooper in ‘The Elephant Man’ Offers Gorgeous Along With The Beast

    With Cooper in the lead, the play takes on new meaning, teaching us what it’s like to be a movie star in ways E! and TMZ never could

    By

    Robert Hofler
    December 8, 2014 @ 7:53 AM
    7:53 AM
    Bradley Cooper in ‘The Elephant Man’ Offers Gorgeous Along With The Beast
  • ‘The Illusionists’ Theater Review: It’s a Magic Show That’s Houdini Times Seven

    Anyone who’s ever seen newsreels of Houdini has wanted to go back in time to experience first-hand the cheesy excitement of seeing a stunt performer risk his life. Here’s your chance

    By

    Robert Hofler
    December 4, 2014 @ 6:00 PM
    6:00 PM
    ‘The Illusionists’ Theater Review: It’s a Magic Show That’s Houdini Times Seven
  • ‘A Particle of Dread’ Theater Review: Sam Shepard and Stephen Rea Eyeball Oedipus

    Rea may be the first Oedipus to play the role in blood-spattered overalls, and he deftly handles Shepard’s freewheeling segues from tragedy to slapstick and back

    By

    Robert Hofler
    November 23, 2014 @ 7:00 PM
    7:00 PM
    ‘A Particle of Dread’ Theater Review: Sam Shepard and Stephen Rea Eyeball Oedipus
  • ‘A Delicate Balance’ Theater Review: Glenn Close Revisits More Than One Diva

    Close’s strong, unyielding matriarch is sister to Norma Desmond from “Sunset Boulevard,” the actress’ last role on Broadway twenty years ago

    By

    Robert Hofler
    November 20, 2014 @ 7:00 PM
    7:00 PM
    ‘A Delicate Balance’ Theater Review: Glenn Close Revisits More Than One Diva
  • Mike Nichols Appreciation: A Humane, Witty Renaissance Man

    Sketch comic turned director turned EGOT, he had the kind of career — and life — that could only happen in the 20th century

    By

    Alonso Duralde
    November 20, 2014 @ 12:34 PM
    12:34 PM
    Mike Nichols Appreciation: A Humane, Witty Renaissance Man
  • ‘By the Water’ Theater Review: Superstorm Sandy Returns, This Time with Glimpses of Arthur Miller

    Sharyn Rothstein’s new play recalls Miller’s “All My Sons,” and to her credit, the absorbing story deserves more than its current one act

    By

    Robert Hofler
    November 18, 2014 @ 7:00 PM
    7:00 PM
    ‘By the Water’ Theater Review: Superstorm Sandy Returns, This Time with Glimpses of Arthur Miller
  • ‘Punk Rock’ Theater Review: Simon Stephens’ New Play Is Much More Than a ‘Curious Incident’

    Some of the British slang doesn’t translate, but Stephens’ grasp of those young hormones that can create a “Lord of the Flies” situation does cross the pond

    By

    Robert Hofler
    November 17, 2014 @ 7:00 PM
    7:00 PM
    ‘Punk Rock’ Theater Review: Simon Stephens’ New Play Is Much More Than a ‘Curious Incident’
  • ‘Side Show’ Theater Review: Bill Condon Gives Twin Dreamgirls Another Shot at Stardom

    In this smashing new revival, the Hilton sisters are treated as “freaks,” but Condon quickly ups the glam quotient to create a novel Cinderella story

    By

    Robert Hofler
    November 17, 2014 @ 4:00 PM
    4:00 PM
    ‘Side Show’ Theater Review: Bill Condon Gives Twin Dreamgirls Another Shot at Stardom
  • ‘The River’ Theater Review: Hugh Jackman Gives a Lesson in Fly-Fishing

    There’s much talk about reflection and recycling in Jez Butterworth’s play about a devoted fisherman-womanizer. But where’s the sexual heat?

    By

    Robert Hofler
    November 16, 2014 @ 6:00 PM
    6:00 PM
    ‘The River’ Theater Review: Hugh Jackman Gives a Lesson in Fly-Fishing
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