In the simple yet sly opening shot of “By Design,” the latest film from writer-director Amanda Kramer, we begin not with a person, but a chair. Punctuated by inane chatter of the more human variety as we gradually fade into the scene, we see a wide assembly of distinct pieces of furniture meticulously arranged. It’s as if we’re glimpsing a painting or cartoon in a magazine, each piece holding their own spotlight. However, the one in the center is not just any chair. It’s a beautiful one, shot with increasing reverence so we can see every detail of its curved construction.
‘By Design’ Review: Juliette Lewis and Mamoudou Athie Are a Joy in This Bold Body Swap Comedy
Sundance 2025: Pull up a chair and let Amanda Kramer’s unflinchingly sad and silly satire wash over you
