‘Freaky Tales’ Review: Pedro Pascal Anchors a Campy, Bloody Love Letter to the ’80s

Sundance 2024: Oakland underdogs are the centerpiece of Anna Boden and Ryan Fleck’s anthology film

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Pedro Pascal in "Freaky Tales" (Courtesy of Sundance)

Underdog stories are beloved for a reason. And “Freaky Tales,” the latest movie from directors Anna Boden and Ryan Fleck, gives us a host of underdogs to root for, along with a bloody, fun, very ‘80s time on the weirder side of Oakland, California.

Based on imaginary ideas and memories from Fleck, Freaky Tales is imbued with love for its underdogs, the Bay Area, and movies in general, split into several chapters that chronicle punks, musicians, and people looking for redemption.

Taking its time setting up its characters’ worlds and showing how they are all connected in the end, the stories unfold in the Bay Area in 1987, where everyday life plays out and people live with a mysterious green hue that colors their lives.

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