Awards reporter • joe.mcgovern@thewrap.com • @jmcgvrn
Experience:
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How ‘The Prom’ Re-Created New York’s Broadway Theater District in Downtown LA
Production designer Jamie Walker McCall explains how she re-created the “comic book pop” of 44th Street for the opening sequence of Ryan Murphy new musical
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‘Mank’ Editor Kirk Baxter Describes His Preparation: ‘Lurking and Sneaking’
David Fincher’s longtime editor also says a trick that Fincher borrowed from Orson Welles made his editing job easier
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Talking Life, Death and ‘Jackass’ With ‘Dick Johnson Is Dead’ Director Kirsten Johnson
“I have this wish to compile a death wish bible, so now I ask everyone I talk to, ‘How do you wish to die?’” says the filmmaker
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Here’s Why ‘Fireball’ Director Werner Herzog’s Flipped for ’90s Disaster Movie ‘Deep Impact’
Film editor Marco Capalbo discusses the 1998 blockbuster, which makes an appearance in Herzog’s new documentary
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Steve McQueen Calls His New ‘Small Axe’ Cinematographer ‘a Skater and a Sailor’
For the five-film anthology, the ’12 Years a Slave’ director collaborated with cinematographer Shabier Kirchner for the first time
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‘Greyhound’ Editors’ Big Lesson: Trust the Power of Tom Hanks’ Face in Battleship Thriller
Sidney Wolinsky and and Mark Czyzewski talk about how a little information can go a long way in the cutting department
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‘The Outpost’ Cinematographer on How the ‘Das Boot’ Submarine Inspired His Afghanistan Battle Scenes
Lorenzo Senatore talks about his hyper-realistic approach to filming Rod Lurie’s immersive Afghanistan War drama
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Riz Ahmed’s ‘Sound of Metal’: How the Outer Space Silence of ‘Gravity’ Shaped Hearing Loss Drama
Sound designer Nicolas Becker drew on his sci-fi experience for the new drama
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Why ‘Ted Lasso’ Sound Editor Learned to Love Actors’ Messy Closets
Due to the COVID-19 pandemic, actors on Apple TV+’s hit series dubbed dialogue from within very private places
