‘Conclave’ Design: Inside the World of Red Robes, Pop-Up Chapels and Instant Espresso Machines

TheWrap magazine: The craftspeople of Edward Berger’s Vatican potboiler take us on a deep dive into the film’s stunning sets, costumes and cinematography

Director Edward Berger and Ralph Fiennes on the Rome set of "Conclave." (Philippe Antonello/Focus Features)
Director Edward Berger and Ralph Fiennes on the Rome set of "Conclave." (Philippe Antonello/Focus Features)

Imagine you’re strolling down a darkly-lit, marble-walled corridor in the blandest, grayest hotel hallway you’ve ever seen. You open one of the doors, step through, and enter the most iconic and recognizable room in Europe: the Sistine Chapel.

This dream scenario actually did occur on the set of Edward Berger’s Vatican potboiler “Conclave,” which was filmed entirely at Rome’s famed Cinecittà Studios and in locations around the Italian capital.

Based on a novel by Robert Harris, Berger’s follow-up to his Oscar-winning “All Quiet on the Western Front” is a stunning achievement in design, costumes and photography. “But there’s a lot of smoke and mirrors used to create these worlds,” said Oscar nominated production designer Suzie Davies (“Saltburn,” “Mr.

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